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What better way to review the new Chinese instruments in GarageBand than to see how well they fare at playing the Game of Thrones theme song?

Just last week, we saw Apple head honcho Tim Cook busting out some Chinese beats on an iPad, in an effort to promote the company's latest GarageBand update, which adds Chinese instruments to the company's flagship music app.

SEE ALSO: Apple just made the iPhone and iPad even more useful for musicians

Specifically, the update adds an er hu (a two-string bowed fiddle), a pi pa (a guitar-like instrument whose strings are plucked) and a set of Chinese drums complete with a dramatic gong in the corner.

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For the Chinese trill, Apple included a slider so you can adjust how quickly it's played.

While Cook's demo saw him mostly playing EDM DJ, the new Chinese instruments are a chance for Apple to show its ability to use the pressure-sensitive 3D Touch screens on the newer iPhone 6S and 6S Plus to coax some expression in the notes.

Apple's always been above the cut when it comes to clever software integration with its hardware. Early on, before its screens could tell how hard you were pressing, GarageBand was able to use the device's accelerometer to detect how hard you were attacking the onscreen keyboard, and adjust the volume of the note accordingly.

But that could only be used to affect the initial volume of the sound. With the er hu on the 3D Touch screen, you can press harder midway during the duration of the note, which applies vibrato to it, and release slowly to lessen the vibrato's effects.

This resulted in a far more realistic and expressive tone produced — and is arguably an even more intuitive and natural way of playing an onscreen instrument, compared with cumbersome expression pedals or wheels that are sometimes attached to digital interfaces to mimic real instrument playing.

Apple hasn't extended this feature to its other string instruments within GarageBand like the violin section — which would undoubtedly benefit from it — but we can expect it will in future updates.

For the pi pa, which is typically plucked in single notes, or rapidly in a trill, Apple included an expression slider at the bottom of the screen, so you can adjust how quickly the trill is played. This appears to be a new feature as well and is a good addition to the interface because of how uniquely the pi pa is played in traditional Chinese music.

To play the Game of Thrones theme, I did my best to use the three new Chinese instruments exclusively. However, for the bass line I had to resort to using the 'Liverpool' bass patch on the guitar instrument because the Chinese instruments didn't go as low as required.

The Chinese instruments are set to the pentatonic scale by default (which Classical Chinese music is set to) but since I was making them play something completely non-traditional, I had to set them to the major scale to include the extra notes needed. Overall Garageband made things go smoothly, and the way 3D Touch works with the er tu as well as the pi pa’s trill slider really helped with some passages.

Apple's release of Chinese classical instruments has been heralded by many as a chance for the company to pay lip service to its second-largest market after the U.S., but its implementation of the instruments reflects at least a thoughtful representation of them.

While it's surprising to see a pi pa and er hu placed as prominently in the menu as more mainstream Western instruments like the keyboard and guitar, it's worthy of Apple's efforts to represent the new Chinese additions in finer detail, rather than bury them within the sound patches of other instruments already there.

Have something to add to this story? Share it in the comments.

Tuesday, 19 October 2004

At the end of Saturday’s “Brushed Metal and the HIG”, I asked:

To those of you who think this state of affairs is just fine,that there’s no problem with Mac OS X providing two disparatethemes for developers to choose between based on whim, I askthis: If two themes are OK, why not three or four?

This was sort of a trick question, because arguably, there already arethree Mac OS X themes from Apple, and perhaps a fourth on the way in10.4. (Let’s not even mention the ridiculous woodgrain-and-ebony customtheme used in GarageBand.)

The ‘Pro’ Theme

For lack of an official name, let’s call the third theme Pro, sinceit’s the look and feel used by Apple in its “Pro” line of mediaproduction software: Final Cut, Motion, DVD Studio Pro, and Logic.(Shake seems to use something slightly different, but perhaps that’sbecause it’s still a recent Apple acquisition.)

The Pro theme is a sort of graphite-gray sibling to Aqua. Here’s theinspector window from Motion:

And here’s a close-up of DVD Studio Pro:

In some ways, the Pro theme is even more different from the normal Aquaappearance than is brushed metal. Brushed metal is primarily just alook-and-feel for window frames; the controls themselves in a metalwindow aren’t any different. The Pro theme, however, consists of anentire alternate set of control widgets: lists, buttons, sliders,pop-ups, etc.

Motion even goes so far as to offer yet another set of controls for usein special palette windows which are called “dashboards” (whichterm is likely to cause confusion when 10.4 ships, with its Dashboard desktop widgetry feature). It’s a Darth-Vaderish sort of thing:

For what it’s worth, I think the Pro theme looks very nice — the overall effect is much more graceful and understated than the brighter, somewhat childish look of both normal Aqua and brushed metal windows. But what that’s worth is very little — as I framed the issue in the last post, my point in bringing all this up is not to argue about which themes look good and which don’t.

The point is consistency. Not usability, not how easy something is tolearn, but consistency for its own sake. Nor is it aesthetics. Whetherone theme is better-looking than the other is a matter of taste; whetherthe interface is being used consistently across applications is not. Apple’s apparent desire to assert its Pro line of software as beingspecial by using a custom suite-wide theme comes directly at the expenseof system-wide consistency.

Consistency does not imply monotony. There’s plenty of room forcreative UI design within the context of the default Aqua theme. Plus,brushed metal and Aqua could conceivable coexist consistently if Appleitself were willing to limit its use of brushed metal to apps that fitspecific criteria defined in the HIG. But this Pro theme iseven worse, consistency-wise. How would you even begin to codifyappropriate use of the Pro theme in the HIG? If your application is aprofessional production tool, and your company headquarters are at 1Infinite Loop, Cupertino CA, you may use the Pro theme to provide aspecial appearance for your application.

This isn’t about using a few custom controls. Obviously, advanced mediaproduction and design apps need to offers users the ability to performtasks that aren’t suited to the standard UI controls provided by thesystem. Adobe and Macromedia certainly have a number of custom controlsin their suites of software. The difference, however, is that Adobe andMacromedia design their custom controls to blend in with the regularlook and feel of the system, and when they can use standard controls,they do. Apple’s Pro theme is replacement of the default theme, not asupplement to it.

Unlike brushed metal, the Pro theme is not available to third-partydevelopers. This might help establish a brand for the company’ssuite of high-end production software — but at the expense of the brandof the company’s entire platform. Is it not reasonable to conclude thatApple deems Mac OS X’s default appearance not good enough for its ownuse?

How long until third-party developers start implementing the Pro lookand feel on their own? That’s what happened with brushed metal, beforeApple officially supported its use in third-party software. Or imaginethe chaos if other major developers follow Apple’s lead and startshipping software using their own unique themes?

Tiger’s New Theme

Apple’s fourth theme is something slated to arrive with 10.4. It’s not asecret: you can see it in the screenshots Apple has posted forSpotlight and the updated version of System Prefs. Unlikebrushed metal or the Pro theme, however, this new look is so subtle youmay not even notice it.

It’s mostly like Aqua, but with certain touches borrowed from brushedmetal; particularly the way that window title bars and the toolbar areaunderneath are combined as a single expanse. And, mercifully, it’s free ofpinstripes. In the same way that brushed metal matches the look ofPowerBook and PowerMac hardware, this new theme is perhaps intended toevoke the look of iBook and iMac hardware. Here’s a portion of the mainSystem Prefs window from Apple’s preview of 10.4:

But while it may not be a secret, I haven’t seen any official word fromApple about this new look, such as what to call it, or whether it’ll beofficially supported for use by third-party developers. I’ve heard fromseveral developers who referred to it as the “unified title bar and toolbarappearance”, which doesn’t exactly roll off the tongue, but it’scertainly an apt description.

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I’m not sure what to make of this new theme. My hope is that it’s anattempt by Apple to rectify the current inconsistent mess — that it’smore of an expansion of the standard Aqua theme rather than somethingaltogether new, intended for use instead of brushed metal in situationswhere, for whatever reasons, the default Aqua appearance is deemedundesirable. And that it will be used consistently for well-definedreasons. (Here’s to hoping that it’s not merely coincidence that theBack/Forward buttons as seen in the above screenshot from System Prefsvery much resemble the Back/Forward buttons in Safari.)

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My fear, of course, is that it’s just a third window frame, and that theonly factor determining when it will be used is whether it looks cool.

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Consistency in and of itself has been a fundamental pillar of the Macuser experience from 1984 onward. But with Apple no longer leading theway, it’s fading. “At least it’s still more consistent than Windows” isnot high praise.

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